#Hawaizaada #HindiBollywoodFilmMovieReview #JohnsonThomas Rating: * *
#Hawaizaada #HindiBollywoodFilmMovieReview #JohnsonThomas Rating: * *
#Picks&Piques/SnippetFilmReview30thJan2015/#JohnsonThomas
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#Picks&Piques/SnippetFilmReview30thJan2015/#JohnsonThomas
#Hawaizaada(Hindi) Rating: * * Farcical ‘flight’ of
fancy, a historical period(1800’s) drama/fantasy in retro-fitted plumes, with
overdone, frivolous and inappropriate ‘Barfi’ like songs, soundtrack and
‘Chaplinesque’ treatment and a runtime that stretches far beyond the bearable.
Cluttered Production Design and weird styling gives the impression that the
film is peddling an antique store filled with items of indiscriminate
periodicity. There’s also little
evidence of any science behind this ‘flight’ to nowhere! #AyushmanKhurana
#PallaviSharda #MithunChakravarthy #RelianceEntertainment
#TrilogicDigitalMediaLtd #FilmFarmers #VibhuVirendraPuri #VishalGurmani #SpicePR
#Rahasya(Hindi) Rating: * * ½ A murder mystery/crime thriller fashioned around
the Arushi murder case-but transported to a Mumbai setting. It’s a whodunit
that wanders way beyond the plausible. Far too many red-herrings and all-too
convenient assumptions, act as spoilers. With zero tension there’s not much of
an experience to be had here. And the stereotypical behavior exhibited by the
cops and CBI investigator puts paid to any expectations of realism per se!
Really, there’s no secret worth unraveling here. #Viacom18MotionPictures
#UVIFilmProductions #AshishVidyarthi #TiscaChopra #ManishGupta #KayKayMenon
#AshwiniKalsekar #RaindropPR #MonicaVimalMaluka
#ChalGuruHoJaaShuru(Hindi) Rating: * It’s about
Godmen running amok and then getting a taste of their own medicine. Absolutely
inane and unbearable. There’s really no chance that you will get a rise out of
this one. #HimanshuPR #DwaparPR #ManojSharma #HemantPandey #TikkuTalsania
#BrijendraKala #ManishTewari #VrajeshHirjee
#Khamoshiyan(Hindi) Rating: * * A manipulative
seductress aiming to capture the soul of men, the story appears to be something
that came out of those shabby sex novellas and the treatment is equally
ritualistic and voyeuristic. A concerted advertorial campaign can do little to
raise this unexciting attempt to arouse mass carnality- to the level of
intellectual satisfaction or worth #VikramBhatt
#MukeshBhatt #MahashBhatt #GurmeetChoudhary #AliFazal #VisheshFilms #FoxStarStudios
#KaranDarra #SapnaPabbi #MukeshBhatt #FoxStarStudios
#SeventhSon(English/3D) Rating: * * ½ Splendorous
action can only make this passé fare just a little likeable. The 3D effects and
depth make the CGI animatronics exciting enough but the mythical legend bit has
been done to death so many times over that it just doesn’t raise any new
excitement ! #MoesArt #UniversalPictures #JascintoFernandes #JeffBridges
#JulianneMoor,#BenBarnes
#AliciaVikander #OliviaWilliams #KitHarington #SergeiBodrov
#Birdman(English) Rating: * * *1/2 Silly , Manic,
incredulously credible take on self-absorption and ego-trips of actors on stage.
It’s ironic, satirical and completely weird-much like actors are perceived to
be. And that’s the beauty of it! #AlejandroGonzalezInarrittu #ParagDesai
#FoxStar #UniversalCommunications #MichaelKeaton
#EmmaStone #EdwardNorton #NaomiWatts, #LindsayDuncan #AndreaRiseborough
#AmyRyan #ZachGalifianakis
#Foxcatcher(English)
Rating: * * * * A chillingly told docudrama about
John du Pont, the schizophrenic millionaire who infamously
shot and killed his friend and Olympic Gold Medal wrestler Dave Schultz. Moneyball's
Benett Miller does the helming in a steady slow to chill mode. Once the
dramatics erupts it achieves shocking effects! Amazing performances from
Channing Tatum, Mark Ruffalo and Steve Carell
#ChanningTatum
#SteveCarell #MarkRuffalo #BenettMiller #SiennaMiller #SonyPictureClassics #HardlyAnonymous
Hindi Film Review
Johnson Thomas
Height of Fancy!
Film: Hawaizaada
Cast: Ayushman Khurana, Pallavi Sharda, Mithun
Chakravarthy, Jayant Kripalani, Natasha Sinha, Naman Jain
Director: Vibhu Virendra Puri
Rating: * *
Shivkar Talpade( Ayushman Khurana)’s exploits as the
first human to fly an unmanned aircraft decades before the Wright brothers may
have some veracity but the way this film, which in-a-way is a sort of a biopic,
plays out, there’s absolutely no way any thinking individual would believe in
that impossibility. In fact one even wonders why Shivkar Talpade is being
credited with the flight when all the work and the meticulous drawings as shown
in the film , are done by Shastriji(Mithun Chakravarthy) a mad scientist who purportedly
used the Vedas and Puranas to support his belief in the ability of human beings
to exploit the skies with ‘flight.’
Throughout the film Shivkar Bapuji Talpade a.k.a
Shivvy is portrayed as a dim-witted individual given to childish mannerisms and
immature antics. He is even said to have failed the 4th standard 8
times(And this is supposedly in early 1800’s). So by the time he exhibits his
mechanic-like abilities with a rare aero-dynamism it’s already too late and
unconvincing. The guy prances about in designer wear, crinkling his nose and
flashing his droopy eyes while singing
songs every odd minute and falling instantly in love with the beauteous whore
Sitara Devi(Pallavi Sharda)– and we are expected to take him seriously!
Director Vibhu Virender Puri (also
credited with the screenplay & dialogues) clearly doesn’t have any
objective in mind other than creating a mishmash of formulaic elements with a
rarified flourish and exuberance they don’t necessarily deserve. The production
design, sets (Subrato Chakraborty, Amit Ray),styling, costumes are so obviously
mismatched that they look like they came out of an indiscriminate selection
from a bountiful antique store. Cinematographer Savita Singh goes glossy in her
efforts to give us a beautiful blue tinged picture but there rarely is any
connect with that uncommon imagery. In fact everything looks so much fake and
farcical that at no point do we get to believing in this amateurish take on
what could have well translated into a momentous historical that could have
validated that far-reaching invention.
The story could well have been better
handled with a much more solid script and due reverential treatment- instead we
have a wishy-washy romance with glossy overtures and reprobate posturing before
the final take-off. The ‘Barfi’ like treatment given to the narrative
trivializes the effort further. Ayushman Khurana’s exaggerated Chaplinesque
effort also appears terribly inappropriate. He is likeable enough though and does well to croon a ghazal with
effective pathos. Pallavi Sharda , the ‘Besharam’ heroine looks pretty but
out-of-place.
Unfortunately,
there doesn’t appear to be much ground for this unsubstantiated claim( at least
not in this movie). The story about two
Indians who made the first flight, is now likely to go down as a big joke. Even
the extended runtime doesn’t allow for any attachment. Such is the returns from
this trivialising pursuit!
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