FullReview #Sultan #HindiBollywoodFilmMovieReview #JohnsonThomas
It alarms me that films such as these which have been marketed specifically to be popular, are peddling obsessive behaviour as love and romance..much like #Raanjhana did with stalking! Unfortunately the part of this review which mentions this fact has been edited out by the paper....(No Prizes for guessing why?)
FullReview #Sultan #HindiBollywoodFilmMovieRevie #JohnsonThomas
FullReview #Sultan #HindiBollywoodFilmMovieRevie #JohnsonThomas
#PicksAndPiquesSnippetFilmReview6thJuly2016
#JohnsonThomas
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#JohnsonThomas
#Sultan(Hindi) Rating: * * ½
Tailor made to suit Salman Khan’s brand extension specifications, this one
bores you after the first 15-20 mins are done. The attempt is to give the audience a desi-videshi dual
combo of action within the amateur and professional sporting ambit that the
story contrives to put forward. The supporting cast #AnantSharma, #KumudMishra,
#RandeepHooda are good, Anushka Sharma does best and the Khan just about gets
around displaying his beefy naiveté in all it’s glory. This film guarantees the
Khan yet another super heroism platform to showcase his ability to garner the
love of the lay audience but the obsession at play here sucks out the fun and
makes it a dead bore in the end result!
#SpicePR #YashRajFilms #SalmanKhan #AmitSadh #RandeepHooda
#AnushkaSharma #KumudMishra #AnantSharma #AliAbbasZafar #AdityaChopra
#UdayChopra Runtime: 170 mins
#TheSecretLifeOfPets(English/Animation/3D)
Rating: * * * Adorable but stretched a little too thin, this well imagined
anime about the secret life of pets after their owners have left for the day,
has adventure , action & a fair bit of humor to render it likeable to the
young audience it’s targeted at. But of course you need to love pets(especially
dogs) for the magic to work entirely.
#UniversalPictures #IshaDoshiPR #UniversalPictures
#IshaDoshiPR #IlluminationEntertainmentProduction #LouisCK
#EricStonestreet
#KevinHart
#EllieKemper
#LakeBell
#JennySlate
#BobbyMoynihan
#HannibalBuress
#DanaCarvey
#AlbertBrooks #ChrisReynaud
#YarrowCheney #SteveCoogan #MichaelBeattie
#SandraEcheverría #JaimeCamil #KielyRenaud #ChrisMeledandri #AlexandreDesplat #CincoPaul
#KenDaurio #KenSchretzmann #EricGuillon #ColinStimpson #DavidAcord #DennisLeonard
#JulienSoret #SimonPate #MiloRiccarand Runtime: 90 mins
#BestFilmsReleasesThisWeek6thJuly2016 #JohnsonThomas
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href="http://www.mrqe.com/"><a
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href="http://www.efilmcritic.com/"></a></a><B>
#BestFilmsReleasesThisWeek6thJuly2016 #JohnsonThomas
#TheSecretLifeOfPets(English/Animation/3D)
Rating: * * * Adorable but stretched a little too thin, this well imagined
anime about the secret life of pets after their owners have left for the day,
has adventure , action & a fair bit of humor to render it likeable to the
young audience it’s targeted at. But of course you need to love pets(especially
dogs) for the magic to work entirely.
#UniversalPictures #IshaDoshiPR #UniversalPictures
#IshaDoshiPR #IlluminationEntertainmentProduction #LouisCK
#EricStonestreet
#KevinHart
#EllieKemper
#LakeBell
#JennySlate
#BobbyMoynihan
#HannibalBuress
#DanaCarvey
#AlbertBrooks #ChrisReynaud
#YarrowCheney #SteveCoogan #MichaelBeattie
#SandraEcheverría #JaimeCamil #KielyRenaud #ChrisMeledandri #AlexandreDesplat #CincoPaul
#KenDaurio #KenSchretzmann #EricGuillon #ColinStimpson #DavidAcord #DennisLeonard
#JulienSoret #SimonPate #MiloRiccarand Runtime: 90 mins
Hindi Film Review
Johnson Thomas
Re-fuelling a flagging brand
Film: Sultan
Cast: Salman Khan, Amit Sadh, Anushka Sharma,
Randeep Hooda, Kumud Mishra, Anant Sharma
Director: Ali Abbas Zafar
Rating: * * ½
Runtime:170 mins
A Salman Khan film at
Eid is now an expected and a Salman Khan film striving to extend the same
micro-managed value system his earlier films hinted at has also become passé-
especially since the central figure that carries the weight on his shoulders
does not have much of a personal growth story to peddle. So in essence this film,
is more of a fantasy makeover of a popular actor whose draw at the box office
is far more legendary (but not always validating) than his acting skills or
real personality. Of course, the PR agents working overtime continue to run
ragged trying to integrate an impression of saintliness in a man who is very
much human with as many( if not more) frailties than the next man.
While Salman Khan’s integration into a
sporting hero(that’s what this film tries to imagine) is pretty much fragile,
there’s much more interesting happenstance in the production( read back-end) of
this film. It seems to me that the producers of ‘Bajrangi Bhaijaan( in which
the Hanuman bhakt hinted at wrestling prowess)’
yes Yashraj, seem to be plying the idea of a much more solid and
reverential athlete who comes from a stronger firmament and has a more
rewarding career graph than the rescuer
of the lost child, he assayed in the earlier film. So here he is undoubtedly muslim,
has a penny earning business that installs cable connections in Boroli(Haryana)
homes, has a devoted sidekick(Anant Sharma)whose main job is to make Sultan
look good and ease the way for his promptly falling in love with a wrestler(Kumud
Mishra)’s daughter Aarfa(Anushka Sharma) who is also a state champion and
potential medalist at the Olympics. All that is fine. We may not find fault
with a man touching 50 in real life, claiming to be 30 in reel life and wanting
to romance a woman who, in her late twenties, looks more suited to play his
daughter.
There are in fact far more serious issues to
quibble about here. Aarfa is shown as career oriented and disinterested in
falling in love until Sultan in a matter of months, transforms himself into a
super wrestler who tames every opponent who dares to corner him on the mat.
There are no specific wrestling skills on display here, just a wide range of
camera angles and tricks to make Sultan look like a winner all the way. Suddenly Aarfa has an inexplicable turnaround
and (in stereotypical retraction) even gives up her dream of an Olympic gold,
once she gets pregnant. Sultan in turn, rises
to unprecedented heights wins the Olympic gold as well as world championships
but his arrogance and overconfidence costs him his family.
While it suited the
makers to peddle the cause of female emancipation in the first half, it (the
cause I mean) also just as suddenly, becomes unsuitable in the post interval
portion- where Aarfa leaves her husband and continues to help train potential
competition winners of the future. As far as the filmmakers are concerned she
doesn’t have a career anymore. She merges into the woodwork while Sultan tries
to regain his self-respect and lost glory. And for that purpose to be served we
are supposed to buy into the loss of child because of the unavailability of a
rare blood type which the father could have easily given if he was not so far
away pursuing his own ambition. The rift between the couple is conveniently
contrived and quite unbelievable and Sultan’s resurrection which rests on his
earning big money (in order to set up an ‘Aman’ blood bank) in a high stakes
pro-wrestling contest, is also equally so.
The film begins on an
entertaining note and the first fifteen , twenty minutes is vintage Salman Khan
boisterousness. His naiveté is played up quite a bit and his song and dance
fuelled romantic antics have the vigor of yore. But thereafter the script just
goes haywire trying to make an obsessive character, a stalker by current
definition assume the patina of a romantic. And though the words mouthed by the
characters speak differently, the film basically runs through the regular formulaic
elements to glorify an obsessive personality.
The music sounds fresh
and invigorating, the supporting actors Amit Sadh, Anant Sharma, Kumud Mishra
and Randeep Hooda are well suited and Anushka Sharma’s spunky, energy is quite
a lure here. Salman though, has nothing much to do other than play himself-after
all the entire production is custom made to glorify his brand. His designed to
order onscreen personality remains likeable for about the first half hour or so
but thereafter it starts to grate. His smirking demeanor following his fall
from grace is quite off-putting and his limited expressiveness in a story that
should in effect demand more, is no longer charming. Helmer Ali Abbas Zafar and
the Yashraj team may have managed to stave off pre-release criticism from the
reviewers but they certainly won’t be able to stop the cavalcade of
disappointment that this film will generate in the days to come.
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