Kahin Hai Mera Pyar, Hindi Bollywood Film movie review, Johnson Thomas, Rating: *
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Kahin Hai Mera Pyar (Hindi) Rating: * A wild goose chase, this one uses the Adam
and Eve metaphor (in shabby form)to justify it’s confounding premise!
Hindi Film Review
Johnson Thomas
Lousy content
Film: Kahin Hai Mera Pyar
Cast: Sanjay Kapoor, Jackie Shroff, Abhishek
Sethiya, Sonia Mann, Gajendra Chauhan, Kishori Shahane
Director: Mahesh Vaijnath Doijode
Rating: *
A romance that revolves around a young artist and
his muse born of fantasy, and the complications that arise out of that fantasy
becoming real.
The film starts off with the biblical origin story
of Adam and Eve, their banishment from the garden of Eden and subsequent coming
together. This is the bit that is shabbily represented with terrible FX and
shoddy unviable animation. It’s quite a confounding start to a traditional tale
of love and just when you are wondering what it’s all about, the voiceover
clarifies that just like Adam and Eve found each other following their
banishment from the garden of Eden, each one of us will also find our true
beloveds, albeit after some tumultuous experiences.
The young man( Abhishek Sethiya) central to this
tale is an artist who suddenly experiences a creative epiphany and paints a
dozen and more paintings of a woman he has never seen. It’s a given that he is
in love with that dream girl. An art gallery owner(Jackie Shroff) helps him out
of a crisis by selling his paintings. The buyer is an industrialist(Sanjay
Kapoor) who is infatuated by a girl (Sonia Mann)who works in his office who
also happens to look exactly like the girl in the painting. The artist follows
the thread and traces the girl and promptly the two get romantically involved.
That puts the industrialist out of the loop and thirsting for revenge.
Lacking in imagination, logic and good sense, this
film drags you through insipid narration fraught with the weirdest flights of
fancy. The script goes completely haywire trying to connect the Adam and Eve
example to a stupid and completely incredulous tale of love. The performances
are all pretty much lackluster. Music by Ravindra Jain follows the traditional
pattern of a song for every occasion. But none of them catch the ear. The
direction by Mahesh Vaijnath Doijode is devoid of surprises. You can of course
laugh at the sheer effrontery involved in giving cinematic form to a tale that
even an uneducated chaiwallah would have deemed unviable.
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